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Luciano51 www.juzaphoto.com/p/Luciano51  |
The following opinions have been automatically translated with Microsoft Translator. | Voigtlander VM 35mm f/2.5 Color Skopar II Pros: Sony A7.Nightness already in TA, closing at 8/16 becomes excellent and very good even edges, small, lightweight, excellent mechanics and finishes, metal construction and brass helix! Fluid and fast fire. Cons: Uncomfortable for big hands. Opinion: Mounted on the Sony A7, I was surprised by the overall performance because it turned out to be higher than expected, at all the apertures it creates a warm atmosphere gives a 'solid' image, it makes brilliant colors without altering its naturalness, it's clear enough and advances, I do not count pixels but I like the right clarity, too much gives me a sense of artificial, hyper-realistic. In my opinion, it is more important for street and / or interiors close to landscapes, where it loses a bit of resolution and then really content, for such an object well done and prestante.rnline vignetting does not bother me, so distortion, and in my opinion, they do a lot of old-fashioned "photography". sent on September 23, 2017 |
 | Sony FE 50mm f/2.8 Macro Pros: Pro; Definition very good already at TA and improves to f8 / 11 on Sony A7, good maneuverability, I find the weight just right and well balanced, comfortable the large MF ring, compactness and transportability and .. external metal barrel! Rn Cons: Against: AF a little slow, the scooter feels as it looks for fire. In macro the AF is useless.rn Opinion: The FE 50mm F2.8 is crisp on the entire frame from f2.8 (to be flip-flops is slightly + defined in the center) but the thing improves by closing a couple of stops. Being native to the A7 series, unrecognized vignetting and distortion, obviously the camera corrects them well. Rn Have a good contrast (maybe too in some cases, can it be?) Blur I like very much and the picture is beautiful brilliant, the colors I feel natural, everything is very enjoyable. It holds the backlight, (tested in full sun, in the top, right), and is well visible on the scale of the reproduction ratio, the MF ring is well handleable, although it needs to be rotated a little to focus, unlike the helix, but, limiting myself to photographing subjects slow and / or firm, it does not disturb. Turning the car on again, the lens returns to focus at the same point. Well found useful! RnWhat "normal 50 / 2.8" meets almost all my needs, I use it mainly in daytime, in case of scarsto light me the game with the ISO, up to 800 still holds good, in the sense that I do not see grain and / or artifacts. I've tried to "croak" 200% and ... surprise, the detail is still, I dare say, nice. Finally, (and not even so much) is really usable, because the unit, A7 + FE 50 is very compact and lightweight, I really wear it for hours without suffering, even in MTB hanging around the neck. Hard work with the Micro Nikkor 105mm / 2.8 previously tested On the Nikon D200. It's a niche optic but for niche people it's ... it's worth all the money spent.nn Take it into consideration Rating 9.6rnrnPS: I would have a slight disappointment to do on the electronic "by wire" focus: Why do not I find the exact point of fire? Or I find it a bit earlier or an instant later! But no! It's a matter of a few millimeters, but in a macro also a millimeter counts. I suspect that the motorcycle step, step, misses an intermediate step. Or maybe it's missingto me the "step" broken image of the Reflex Viewfinder? rn With the Reflex Nikon D200 and the Nikkor 55mm F2.8 micro, this helicopter did not happen. rnTake a quick look sent on September 17, 2017 |
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