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| sent on September 17, 2018 (21:06) | This comment has been automatically translated (show/hide original)
Very nice with a great planning congratulations Mauro Hello Massimo :-) ;-) Molto Bella con un ottimo planning Complimenti Mauro Ciao Massimo |
| sent on September 17, 2018 (21:21) | This comment has been automatically translated (show/hide original)
Slowly we try to improve. Thanks Max. Hello. Mauro. Piano piano si cerca di migliorare. Grazie Massimo. Ciao. Mauro. |
| sent on September 27, 2018 (17:15) | This comment has been automatically translated (show/hide original)
Great job, very interesting coloring Hello Ottimo lavoro, colorazione molto interessante ciao |
| sent on September 27, 2018 (17:21) | This comment has been automatically translated (show/hide original)
And thanks also for these visit and comment. Hello. Mauro. E grazie anche per questi visita e commento. Ciao. Mauro. |
| sent on September 28, 2018 (10:16) | This comment has been automatically translated (show/hide original)
Perfect and clean shot. scatto perfetto e pulito. |
| sent on September 28, 2018 (10:19) | This comment has been automatically translated (show/hide original)
The 5DSR I find it very interesting, evaluation in contrast to the EOS-1d X Mark II. How do you find us? la 5dsR la trovo molto interessante, valutazione in contrasto con la EOS-1D X Mark II . Come ti ci trovi? |
| sent on September 28, 2018 (10:32) | This comment has been automatically translated (show/hide original)
Hi Marcello, thanks for the ride. At the beginning I took it, the 5DSR, (used) because I was curious to "play" with the 50mpx. usually for photos of cars/motorcycles I use two 5d4, but trying the 5dsr in that area, I was surprised and pleased. In non-optimal light, ISO and recoveri that allow me the 5d4 are better, but if the light is good the 50mpx come out great. limits the 5DSR in that context, burst and buffer. The gust slower but has, for me, a merit. I have more photos in focus (both the 5D4 and the DSR have the same setting as AF). The buffer is a problem; I shoot in RAW in both cards and if the machines/motorcycles are close together I find myself limited. Keep in mind that I don't work anymore, thank goodness now it's just fun! Hello. Mauro. Ciao Marcello, grazie per il passaggio. All'inizio l'ho presa, la 5DsR, (usata) perché ero curioso di "giocare" con i 50mpx. Di solito per le foto di auto/moto utilizzo due 5D4, ma provando la 5DsR in quell'ambito, sono rimasto sorpreso e contento. In luce non ottimale, iso e recuperi che mi consentono le 5D4 sono migliori, ma se la luce è buona i 50mpx vengono fuori alla grande. Limiti della 5DsR in quel contesto, raffica e buffer. La raffica più lenta però ha, per me, un pregio. Ho più foto a fuoco (sia le 5D4 che la DsR hanno lo stesso settaggio di AF). Il buffer invece è un problema; io scatto in RAW in entrambe le schede e se le macchine/moto sono ravvicinate mi trovo limitato. Tieni presente che non ci lavoro più, grazie al cielo adesso è solo divertimento! Ciao. Mauro. |
| sent on September 28, 2018 (14:32) | This comment has been automatically translated (show/hide original)
Thanks Mauro, the great car R, I've heard little about the fabrics, because of the removal (right) of the low pass filter. I have the D810 and it does not have the filter but I never had any problems, maybe the 50mpx? Comparing the bodies, the D810 goes into crisis of ISO, fire and burst compared to the D5 (Nikon), which in the end are the Canon counterparts. Up to how many ISO did you push without having grit? Grazie Mauro, la R gran macchina, ne ho sentito parlare poco bene sui tessuti, per via della rimozione (giusta) del filtro passa basso. Io ho la D810 e non ha il filtro ma non ho mai avuto problemi, forse i 50mpx? Comparando i corpi, la D810 va in crisi di iso, fuoco e raffica rispetto alla D5 (nikon), che alla fine sono i corrispettivi Canon. Fino a quanti iso ti sei spinto senza avere grana ? |
| sent on September 28, 2018 (14:40) | This comment has been automatically translated (show/hide original)
With the DSR? 1600. I do not even go with the 5d4. I come from the film, Dia, where already at 400 I did not go. I'm a "daytime" photographer... ;-))) Con la DsR? 1600. Di piú non vado neppure con le 5D4. Vengo dalla pellicola, dia, dove già a 400 non andavo. Sono un fotografo "diurno"... ;-))) |
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