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| sent on December 07, 2017 (10:41) | This comment has been automatically translated (show/hide original)
The beautiful Marina ... This model fascinates me so much :-) La bella Marina... Questa modella mi affascina tantissimo |
| sent on December 07, 2017 (21:20) | This comment has been automatically translated (show/hide original)
:-( thanks for the ride raphael but the shot coso you tell me that marina is nothing short of fascinating is assodato but a constructive criticism I preferred it ;-) grazie del passaggio raphael ma dello scatto coso mi dici? che marina sia a dir poco affascinante è assodato ma una costruttiva critica la preferivo |
| sent on December 07, 2017 (22:05) | This comment has been automatically translated (show/hide original)
Ok, so here's my critique of the shot: First of all, it's not in focus or it's put, you see it from the eyes and from the halo that surrounds its right leg and this for me already disqualifies the shot. Cavoli you can not shoot at 1/10, it does not exist, and because f / 9.0, what's the point here ??? The chair ... He has nothing to do here, go. The folds and especially the stains in the background can not be seen, a minimum of retouching was absolutely necessary here. The cut at the bottom had to be done both higher and lower, never on the joint! The light is not bad at all, the shadows are almost non-existent, a little less power on the left and it would be optimal. To finish a little bit of PP even simple (contrasts, luminosity & aserious ;, a little work on the skin) would not have failed. Ok, dunque ecco la mia critica dello scatto: In primis, non è a fuoco e/o è mossa, lo vedi dagli occhi e dall'alone che circonda la sua gamba destra e questo per me squalifica già lo scatto. Cavoli non puoi scattare a 1/10, non esiste, e perché f/9.0, che senso ha qui??? La sedia... Non ha niente da fare qui, via. Le pieghe e soprattutto le macchie sullo sfondo non si possono vedere, un minimo di ritocco ci voleva assolutamente qui. Lo taglio in basso doveva essere fatto sia più in alto, sia più in basse, mai sull'articolazione! La luce, non è per niente male, le ombre sono quasi inesistenti, un po' meno potenza a sinistra e sarebbe ottimale. Per finire un po' di PP anche semplice (contrasti, luminosità, un po' di lavoretto sulla pelle) non avrebbe guastato. |
| sent on December 07, 2017 (22:34) | This comment has been automatically translated (show/hide original)
hello raphael I thank you for the suggestions but it was not a private session ie in my command and martina was moving continuously and for me it was the 1 workop we were in 11 and you let yourself imagine if there was the tenpo to change the background for the cuts will stay more careful and for the background changes I do not have such work programs but even if I had them I would not use them for the remodelings on the model I consider the perfusion a gift and I would never change it a greeting and good light ciao raphael ti ringrazzio dei suggerimenti ma non era a sessione privata cioè a mio comando e martina si muoveva in continuazzione e per me era il 1 workop eravamo in 11 e ti lasci immaginare se c'era il tenpo di modificare lo sfondo per i tagli starò più attento e per le modifiche di sfondo non dispongo di tali programmi di lavoro ma anche se li disponessi non li userei per i ritocchii sulla modella considero l'inperfezzione un dono e non lo modificherei mai un saluto e buona luce |
| sent on December 07, 2017 (22:51) | This comment has been automatically translated (show/hide original)
But you do not have to justify, you asked for a critique and I gave it to you. I am perfectly aware that you do not always work in the best conditions, in fact, 11 photographers for a single model is not standing in the least, already three become nervous for this I do not do more workshops. Ma non ti devi mica giustificare, hai chiesto una critica e te l'ho data. Sono perfettamente cosciente che non si lavora sempre nelle migliori condizioni, in effetti 11 fotografi per una sola modella non sta minimamente in piedi, già in tre divento nervoso per questo non faccio più workshop. |
| sent on December 07, 2017 (23:07) | This comment has been automatically translated (show/hide original)
no they were not justifications but explanations for more I am an amateurs that mostly I do naturalistic has presented the opportunity that marina came to Florence and I caught knowing that I would have made mistakes for this I asked you what you thought at least you accepted the comparison because in comparison to me you are much more experienced no non erano giustificazioni ma spiegazioni per di più io sono un amatori che per lo più faccio naturalistica si è presentata l'occasione che marina venisse a firenze el' ho colta ben sapendo che avrei commesso degli errori per questo ti ho chiesto cosa ne pensavi almeno tu hai accettato il confronto visto che in confrono a me sei molto più esperto |
| sent on December 08, 2017 (0:36) | This comment has been automatically translated (show/hide original)
Oki all very clear ;-) Oki tutto chiarissimo |
| sent on January 02, 2018 (10:54) | This comment has been translated
Nice! |
| sent on January 02, 2018 (11:42) | This comment has been automatically translated (show/hide original)
Beautiful for me too! Best wishes. Giuseppe Bella anche per me! Un caro saluto. Giuseppe |
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